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Caron Diner



Project
: Caron Diner - ANY
Location : Domaine des 30 Arpents, France
Mission : Scenography
Client : ANY Prdouction - Caron Parfums
Year : 2025




To celebrate the launch of Musc Oli, the new fragrance by Maison Caron, we designed a dinner experience at the Domaine des 30 Arpents, hosted by Olivia de Rothschild and produced by @anyagency.

In the heart of the oak forest, a 20-meter floating textile structure was suspended between the trees, held aloft by inflatables. By day it filtered the light like a translucent canopy, and by night it became a glowing lantern.

At its center, a 16-meter dining table built from fallen trees on-site paired raw wood with aluminum sheets cut to follow natural curves — a dialogue between organic matter and crafted precision.

The table was dressed in moss and wildflowers, flowing like a living river, with glowing Caron flacons placed as luminous markers. As night fell, the canopy radiated softly in violet hues, while constellations of lights extended the dream into the forest.

As night fell, the installation revealed its full presence: the textile canopy radiated softly under violet hues, oak trunks became silent guardians, and constellations of lights extended the dream into the surrounding forest. More than a dinner, it became a celebration where design, nature, and perfume converged into a singular experience.











  Musc Oli Collection |  ANY Production  |  Caron  |   Douze Degrés  |  Floating  |

























For the creation of the dining table, we carefully selected fallen oak sections and tree trunks directly from the Domaine des 30 Arpents. Each element was chosen for its natural form and character, then assembled into modular table tops designed to be dismantled and reused.

Between the selection and the production, every wooden board was meticulously scanned one by one, allowing us to design and cut laser-shaped aluminum plates that traced their natural curves with precision. 

This process created a striking dialogue between the raw, organic presence of the oak and the industrial sharpness of aluminum, echoing the project’s vision.

This approach ensured that no material would be wasted after the event: part of the scenography could be preserved, while other elements were seamlessly reintegrated into the landscape. In doing so, the installation respected the site’s natural cycle, extending the life of the materials and honoring the forest that hosted the gathering.







             
Studio Douze Degrés
2 Rue Maurice Ravel
92210, Saint-Cloud
studio.douzedegres@gmail.com
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